Graduation Day: a new day of celebration at AANT

On Saturday, October 18, a graduation session was held at the Academy. Eight students from the various three-year academic programs—Design, Videomaking, and Art Direction—presented their final projects before the Committee, ready to take flight toward their desired professional path.

Here are the names of the new graduates and the titles of their projects:

Carlo Calcagni: “La percezione del futuro nei videogiochi”
Greta Castagna: “Acqua: strategie curatoriali per una sensibilità ecologica nell’arte contemporanea”
Aurora Gabriele: “Tradizione e trasformazione: il nuovo volto della Masseria Coco”
Giada Giunta: “VALE”
Sergio Pauri: “L’autorialità nel Cinema”
Marzia Saulini: “Ridisegnare Roma: un progetto per semplificare l’esperienza utente di Roma Capitale”
Cristiana Tranchini: “Arsenale delle Arti: progetto di riqualificazione dell’ex arsenale pontificio”
Matteo Tulli: “Not NOW”

We extend our warmest congratulations to all of them for a future full of great achievements!

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GeniaLAB Officially Joins the CYANOTYPES European Pilot Network

AANT is proud to announce that geniaLAB has been selected as one of the official Pilots of the European project CYANOTYPES – Strategic Skills for Creative Futures.

With this recognition, geniaLAB becomes part of an international network of institutions engaged in testing new approaches to education, research, and innovation in the cultural and creative sectors, contributing to the definition of future strategic competences.

CYANOTYPES is a project funded by the European Union under the Erasmus+ programme, involving over twenty partners including universities, training institutions, cultural and creative industries, innovation hubs, and European networks. Its goal is to develop a future-oriented competence ecosystem capable of responding to the challenges posed by the digital, green, and social transitions currently shaping the cultural sector as a whole.

What is geniaLAB. geniaLAB – short for Generative Intelligence, Artificial Life and Arts Laboratory – is AANT’s permanent hub for research and experimentation. It is an interdisciplinary lab dedicated to the critical and creative exploration of artificial intelligence, cognitive technologies, and their implications in art, design, culture, and society.

The lab’s statute defines an ambitious mission: not only to develop research and innovation projects, but also to rethink models of learning, knowledge production, and dissemination in the age of generative intelligence. GenIALab promotes a hybrid, embodied, and relational approach, combining speculative practices, design methodologies, and critical reflection.

What It Means to Be a CYANOTYPES Pilot. In the CYANOTYPES project, a Pilot is not just a teaching lab or a series of workshops—it is a strategic learning infrastructure that experiments with, tests, and adapts training approaches on a real-world scale.

Each Pilot is invited to integrate the CYANOTYPES Competence Framework—a set of 25 competences grouped into five “agency” clusters—into its research, education, or cultural production activities.

The Pilots are the operational core of CYANOTYPES: they are the spaces where theory meets practice, and where alternative models of learning, collaboration, and transdisciplinary design are tested.

geniaLAB’s Contribution to the Project. As a CYANOTYPES Pilot, GenIALab will activate a series of interlinked actions, including:

  • educational experiments on AI and generative design
  • speculative labs exploring future scenarios and prompt thinking methodologies
  • co-creation projects involving artists, researchers, and students
  • mapping activities of emerging competences
  • public events for dissemination and critical dialogue

All activities will be guided by the principles of triple-loop learning and will be evaluated in relation to their contribution to the CYANOTYPES Competence Framework—especially in the areas of regenerative agency, critical engagement with digital technologies, and the valorisation of ideas and ethical perspectives.

A European Challenge, A Local Responsibility. Joining CYANOTYPES as a Pilot means taking on a dual responsibility: contributing to the design of future competences for the entire European creative ecosystem, and at the same time generating value for the local community of reference—students, educators, professionals, industrial and cultural partners.

geniaLAB is committed to meeting this challenge through research rigour, project creativity, and an ethics of collaboration.

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Rome Game Jam: AANT as the Stage for the Second Edition of the Creative Marathon

From October 10th to 12th, AANT hosted the Rome Game Jam for the second time — a 48-hour hackathon dedicated to the creation and development of live games, board games, and video games. Participants were divided into small teams with the goal of designing a complete game within a limited time. It was a unique opportunity for students, professionals, and enthusiasts alike to challenge themselves in a supportive and collaborative environment.

Leading the hundred or so Jammers who took part in this creative marathon were AANT professors Simone Mari, Ennio Pirolo, Francesca Zacchia, and Andrea Ferlito, CTO of Codemotion.

In just 48 hours, 18 games were created; the best one was selected by a jury composed of professionals and industry experts:

Carlo Tuzza, sound designer and composer
Federico Simonetti, researcher and co-founder of the Ex Machina collective
Lorena Rao, lecturer and video game critic for Fanpage.it and Atacore.it
MarcusKron, YouTuber and streamer
Simone Martolini, 3D modeler at Red Hog
Valerio Bernardini, game and narrative designer at Turbolento Games.

Proud to have hosted the event, AANT is already gearing up for the third edition!

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AANT in Prague for the Creative Skills Week 2025

The Creative Skills Week 2025 took place in Prague from 22 to 26 September, bringing together dozens of international professionals from the cultural and creative sector for an event dedicated to lifelong learning and the development of new skills. AANT participated in the initiative with a delegation composed of General Director Rossana Quarta and Scientific Director and Head of Internationalization Gianna Angelini. Our representatives actively took part in workshops and training sessions throughout the week, bringing the Academy’s voice to this important international context.

The event, organized by ELIA (European League of Institutes of the Arts) together with Creative Prague, addressed the urgent transitions currently shaping the creative sector – from digital transformation to the green shift, as well as the challenges posed by Artificial Intelligence and global socio-economic changes. These themes gathered educators, policymakers, artists, and sector leaders from across Europe, with the aim of sharing knowledge and promoting new approaches to lifelong learning, reskilling, and upskilling. The motto of the 2025 edition, “Create. Transform. Regenerate.”, reflects the shared commitment to building more adaptive, inclusive, and sustainable creative ecosystems in response to ongoing changes.

During the Creative Skills Week, the AANT delegation had the opportunity to directly explore new methodological approaches. In particular, on 23 and 24 September the CYANOTYPES Training was held, a hands-on program designed for educators, strategists, and cultural professionals, in which both Rossana Quarta and Gianna Angelini actively participated. The CYANOTYPES project represents an innovative European framework aimed at developing transversal creative skills and supporting more resilient, future-oriented educational programs. Thanks to this training, our representatives were able to explore cutting-edge teaching tools and acquire new ideas to be transferred into the Academy’s educational pathways.

The Prague week also proved to be an important opportunity for networking and the exchange of best practices. AANT’s representatives engaged with dozens of international experts, sharing the Academy’s experience in discussions and contributing to interactive sessions. These moments of dialogue fostered new contacts with colleagues from other countries and provided valuable insights to be brought back to the Academy, further enriching the knowledge base and innovative perspectives of our institution.

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ACES Master’s Thesis: When Strategic Thinking Meets Creativity

The third edition of the ACES Master’s program at AANT has come to an end. On September 13th, the students presented their final projects, the result of an academic journey that led them to develop strategic and innovative visions to be applied in the fields of advertising and communication.

Here are the students and the titles of their thesis projects:

 

Andrea Marchioni, Rita Labate, Sofia Battisti: “Fuct u museum”

Laura Celso, Rossella Massaro, Ludovica Mazzocchetti: “Fake news kills”

Ilaria Zampolli, Benedetta Di Gioia, Angela Fummo: “True or mute”

Ilenia Picca, Elisabetta Cillo: “Costo zero”

Carlotta Maria Pergolizzi, Daniele de Lucia, Federico Tavano: “Dis – honore badge”

Pietro Antelmi, Ciro Maria Molaro: “Bot Man”

Congratulations to all of them! We wish them an extraordinary career as the advertising creatives of the future!

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AANT and Confcommercio Roma together for Rome Future Week

As part of Rome Future Week 2025, AANT hosted on September 17 an important event dedicated to cultural and social innovation. The meeting took place at the AANT headquarters in Via Monza 21, organized in collaboration with Confcommercio Roma and included within the “Tridente Moda District” project. The event, which started at 10:00 a.m., featured the presentation of the best final projects developed by students of the Interface and Interaction Design II course (BA program in Art Direction, Advertising, and Graphic Design, a.y. 2024/2025) on a real brief provided by Confcommercio Roma.

The initiative created a direct dialogue between academic training and the professional world, highlighting AANT’s role as a bridge between youthful creativity and the needs of the local territory.

Six student teams presented their design concepts aimed at enhancing Rome’s historic center through innovative solutions. First place was awarded to “Team 3,” composed of students De Santis and Piccinini. Their winning proposal consisted of a digital platform reinterpreting the Tridente (the historic area from Piazza del Popolo to Piazza di Spagna) as an integrated ecosystem of commerce, culture, and history. Through an interactive map, a calendar of dedicated events, and an online community, the platform seeks to engage residents, merchants, and visitors in a shared narrative of the district, combining shopping, cultural heritage, and social innovation. The originality and feasibility of the idea, coupled with a user-friendly design, convinced the jury and won acclaim from attendees.

The projects were evaluated by a joint AANT/Confcommercio technical jury, composed of prominent representatives from both institutions. Jury members included:

  • Fabrizio Russo – President, Historic Center of Rome (Confcommercio Roma)
  • Onorio Rebecchini – President, Convention Bureau Roma e Lazio
  • Gianluca Lo Presti – President, Rise – Fondazione per l’Attrazione di Roma e Partners
  • Valerio Lucci – President, Associazione Via Condotti
  • Claudia D’Alessandro – Account Manager Payments, Global Blue
  • Maddalena Salerno – CEO, Co-Founder & Creative Director, Bla Studio
  • Gianluca Lo Presti – Rise President– Fondazione per l’Attrazione Roma & Partners
  • Romolo Guasco – Director, Confcommercio Roma
  • Rossana Quarta – Director, AANT
  • Ana Gabriela Llarin – Coordinator, BA in Art Direction, Advertising & Graphic Design (AANT)
  • Emanuele Tarducci – Coordinator, BA in User Experience & UI – Interaction Design and MA in Communication & Design Methodologies (AANT)
  • Annabella Guadagni – Service Designer & Facilitator, Enel X
  • Attilio Imbrogno – Experience & Service Design Manager, User Researcher (Intellera Shape Design Studio)
  • Stefano Tiburzi – Co-Founder & COO, S.M.I. Technologies and Consulting S.r.l.

Throughout the morning, each team presented its project to the jury and audience. The mix of Confcommercio Roma representatives together with AANT faculty and coordinators ensured a balanced evaluation, weighing both the relevance to Rome’s territory and business fabric, and the creative and methodological quality typical of academic pathways.

AANT faculty members involved in the project – Dario Moriconi, Roberto Savino, Nicolò Lai, Giovanna Arcieri, Ben Bugli, and Riccardo Onorato – supported the students throughout the entire process, from ideation to the refinement of proposals, ensuring alignment between educational goals and the client’s expectations.

In closing, Confcommercio Roma representatives emphasized how the collaboration with AANT, within the framework of Rome Future Week, generated fresh and concrete ideas for enhancing Rome’s historic center. For its part, the Academy expressed satisfaction with the excellent results of the course: the synergy among students, faculty, and external partners demonstrated how culture, creativity, and social innovation can come together to generate real solutions.

Beyond offering students a prestigious showcase before professionals and institutions, this event reaffirmed AANT’s commitment to training designers capable of connecting academic knowledge with the productive world, actively contributing to innovation projects in the territory.

Ultimately, the Rome Future Week session hosted by AANT highlighted the potential of young creatives as a driving force for social innovation, strengthening the Academy’s role as a hub of excellence where ideas for the future are born.

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AANT at EAIE 2025 in Gothenburg: new horizons for internationalization

AANT took part in the 2025 Annual EAIE Conference, held from 9 to 12 September in Gothenburg, Sweden. Gianna Angelini, AANT’s Head of Internationalization and Scientific Director, represented the Academy at what is recognized as one of the premier international events in Europe in the field of higher education. The event welcomed over 7,000 professionals from more than 100 countries, providing a unique opportunity to strengthen global contacts, exchange ideas, and initiate new academic collaboration agreements.

During the conference, Gianna Angelini reconnected with many of AANTs current international partners to plan activities for the new academic year. She also engaged in strategic meetings with representatives of other academic institutions and educational organizations, laying the groundwork for future developments in student mobility, joint research projects, and internship opportunities. These targeted meetings pave the way for new exchange agreements and joint projects, further expanding AANT’s global network of contacts.

Now in its 35th edition, the conference featured hundreds of sessions, workshops, presentations, and networking activities, giving participants a comprehensive overview of current trends and best practices in international education. The overarching theme GO-create” challenged attendees to reflect on practices of collaboration, cooperation, and co-creation. Gothenburg’s renowned commitment to sustainability, inclusion, and innovation made it an ideal setting for mapping out the future of internationalization in higher education. Discussions throughout the event ranged from innovative approaches to building effective partnerships to strategies for enriching students’ learning experiences through global cooperation.

“Participating in EAIE 2025 was a significant opportunity for growth and exchange,” said Gianna Angelini at the conclusion of the event. “Reconnecting with our international partners and meeting new colleagues allowed us to solidify relationships and envision innovative projects to undertake together. We return to Rome with fresh ideas and concrete contacts, ready to develop collaborations that will further strengthen AANT’s international presence.”

The international outlook has always been a cornerstone for AANT, and attending EAIE 2025 reaffirms the Academy’s commitment to positioning itself in a global educational arena. The insights gained in Gothenburg and the connections established will help enrich the academic experience of both students and faculty, while also fueling AANT’s growth in line with its educational mission. Events like EAIE serve as strategic platforms for the Academy to reinforce partnerships and demonstrate AANT’s dedication to international academic cooperation.

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AANT Bachelor’s Theses: The Faces and Projects of Our recent Graduates

The 12th and 26th of July were two emotionally charged days at AANT. Twenty students from our three-year academic programs presented their theses, marking the beginning of a new chapter in their lives.

Here are the newly graduated students and the titles of their projects:

Melany Burattini: “Qualcosa di tutto. Il concetto di adattamento e la sua approvazione nella transmedialità”
Ludovica Bureca: “Il filo della memoria: un museo per raccontare l’identità di Scanno”
Vincenzo Caputo: “AI e Graphic design – Come l’AI influirà sul graphic design”
Alice Celli: “ICONICA: quando la pubblicità cita l’arte”
Gloria Cesarini: “Oltre il colore: la percezione visiva tra realtà e illusione”
Federica Cicalè: “Il Giappone alla luce dell’ombra: estetiche silenziose tra arte, natura e design”
Nicolò Cocco: “CARCARE. L’app per la facilitazione dell’approccio all’autodiagnosi OBD”
Giulia Colantoni: ”Mosaico verde: grandi spazi da assemblare insieme”
Piergiorgio Costantini: “Violenza di genere e innovazione digitale: l’App ResQ come strumento di prevenzione e supporto”
Valerio De Luca: “Rivoluzione gentile”
Pietro Fanelli: “ECMAS: Mappare Villa Pamphilj attraverso le percezioni dei suoi visitatori”
Lucia Gildoni: ”TYPAS”
Sara Kaldas: “Abitare il third place: spazi per la relazione nella città contemporanea”
Patrizio Martino: “LA CASA DI PIETRA. Un progetto etico tra memoria, materia e design”
Riccardo Orlando: “Strada, Cuore e Sapori. Il racconto visivo dello street food”
Lavinia Pucci: “Baraonda: emozioni, mostri, sesso e altre cose travolgenti”
Martina Santaguida: “L’illusione della trasparenza: il colore come linguaggio dell’identità visiva di Kartell”
Francesca Clerin W. Tissera: “Foxus: trasformare la routine in missione”
Riccardo Tozzi: “Progettare l’invisibile: un nuovo linguaggio visivo per la metropolitana di Roma”
Lucrezia Zara: “FLIP dal Mancinismo all’esplorazione bilaterale”

To all of them, we extend our heartfelt congratulations and wish that the transition from the classroom to the professional world marks the beginning of a journey full of fulfillment and success.

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geniaLAB is born: the new transdisciplinary Research HUB of AANT

With the Directorial Decree of July 23, 2025, AANT officially launches geniaLAB, a new interdisciplinary Research HUB dedicated to artificial intelligence, digital culture, cognitive technologies, and creative innovation. With this initiative, the Academy reaches a strategic milestone in strengthening its identity and positioning in the national and international research landscape.

The mission of geniaLAB is to serve as a permanent interdisciplinary observatory, open to dialogue with external experts, for the co-creation of innovative projects aligned with the Academy’s strategic vision. The HUB is conceived as a laboratory of excellence, combining the Italian tradition of art, philosophy, communication, and media with technological innovation, while developing critical and creative approaches to the transformations brought by AI in the contemporary age.

geniaLAB aims to contribute to the advancement of artistic and scientific research, and to the innovation of teaching methods in the disciplinary fields of AANT, by experimenting with new techniques and didactic models to enrich and expand its educational offer. It will be devoted to critical inquiry, creative experimentation, and advanced training in the fields of generative AI, cognitive technologies, and their cultural, artistic, and social implications.

The Statute of geniaLAB defines a series of specific objectives, including:

  • Critically analyzing the impact of artificial intelligence and cognitive technologies on society, culture, and human experience;
  • Developing innovative methodologies for interdisciplinary research on emerging technologies;
  • Promoting critical and creative literacy in generative AI technologies;
  • Training researchers, artists, designers, and professionals to consciously navigate the AI ecosystem;
  • Exploring the applications of AI in the creative industries and cultural heritage sectors;
  • Developing new models and technological solutions for the humanistic and artistic domains of the Academy.

The program of geniaLAB embraces a broad spectrum of research areas, reflecting the highly transdisciplinary nature of the initiative. Topics explored range from the philosophy and anthropology of cognitive technologies, to the analysis of the relationship between artificial intelligence, digital culture, and society, and to creative and experimental methodologies for using AI in art and design.

Other research lines include:

AI applications for cultural heritage and digital archives;

Innovation in the creative industries and design fields;

Development of innovative pedagogies for the AI era;

Ethical and democratic governance of technologies;

The study of computational aesthetics and artificial poetics.

The governance of geniaLAB, as outlined in the decree and Statute, includes a Coordinator leading the HUB and a Scientific Committee supporting its strategic direction.

Prof. Gianna Angelini, Scientific Director of AANT, has been appointed as Coordinator of geniaLAB, with a renewable three-year mandate. She is responsible for representing and managing the HUB’s operations.

The Scientific Committee is composed of prominent figures from both within and outside the Academy, with expertise in the fields of art, philosophy, technology, and digital culture. Its members are:

Gianna Angelini
Rossana Quarta
Simone Arcagni
Maurice Benayoun
Luna Bianchi
Alex Braga
Massimo Canevacci
Pier Luigi Capucci
Matteo Ciastellardi
Andrea Colamedici
Derrick de Kerckhove
Maura Gancitano
Marco Gori
Paolo Granata
Sabina Minardi

The Committee is chaired by Andrea Colamedici.

geniaLAB is designed as an open and inclusive initiative, in ongoing dialogue with the wider world. Through this HUB, AANT expresses its strong commitment to active collaboration with experts, academics, research centers, as well as with cultural industries and national and international partners, with the aim of sharing knowledge and developing joint projects.

The Statute allows for the affiliation of both AANT faculty members and scholars from other AFAM institutions or universities, in addition to external experts. Partnerships and research agreements with public and private entities are encouraged, thus contributing to the Academy’s third mission.

With the launch of geniaLAB, AANT strengthens its identity as a leading institution in research and education at the intersection of art, culture, and emerging technologies. This new HUB is not merely an internal research center, but a catalyst for innovation and cross-disciplinary dialogue, positioning AANT as an authoritative player in the contemporary landscape of cultural and technological transformation.

Through geniaLAB, the Academy affirms its readiness to contribute with ideas, projects, and expertise to the ongoing global debate on artificial intelligence, digital culture, and the future of creativity.

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Giffoni Film Festival: Award for the Short Film “Marta Wants to Play” by Prof. Matteo Quarta

The AANT family is celebrating an important achievement. The short film Marta vuole giocare, written and directed by Matteo Quarta—director and professor of the three-year course in Videomaking, Story, Cinema and Media Design—has won two prestigious awards at the Giffoni Film Festival: the Lete Special Award and the prize for Best Short Film in the 10+ category.

The short, produced by CMA Creative Management Association, Halibut Film, and Movi Production, tells the story of Marta, a young girl who dreams of becoming a football player. Despite her father’s disapproval, Marta finds unwavering support from her mother. The screenplay is based on the stories of around thirty women, whose experiences highlight the ongoing challenges of asserting female identity in fields traditionally considered male-dominated.

Several second- and third-year AANT Videomaking students also collaborated on the project, which was filmed in and around Monterotondo, through a dedicated Farm (practical training initiative). The participating students were: Alice Feliciati, Adriano Longoni, Luca Martino, Nicola Pasqui, and Gaia Pugliese. They actively contributed to the short film, working as assistant directors, camera assistants, sound assistants, and interior design assistants.

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